SAINT LAURENT MEN’S WINTER 26 READY-TO-WEAR

Saint Laurent has always occupied a peculiar space in fashion’s emotional landscape — elegant, aloof, and unfailingly cool. The house invented le smoking, the women’s tuxedo that blurred gender boundaries in the 1960s, and ever since has championed a kind of androgynous sophistication that feels personal as much as it is cultural. What creative director Anthony Vaccarello added in his latest menswear collection was a new shade to that legacy: a tenderness wrapped in precision.

The collection felt like a meditation on dualities — the rigid and the fluid, the public face and the private self, darkness and its own reflection. Sharp tailoring stood at the core: structured blazers and trench coats with defined shoulders, long overcoats that fell like oaths, trousers that whispered promises with every step. And yet these forms were softened at the edges, allowing movement where once there might have been hardness. There was a subtle hourglass suggestion in some silhouettes — not feminized, but an embrace of nuance in language.  

It is inspired by a time when desire was style, when beauty served as a shield against emptiness.

– Anthony Vaccarello

Black was the dominant harmonic in this ode — not merely a colour but a feeling, thick with mystery and sophistication. Against this darkness, details like silk ascots peeking from beneath crisp collars, sometimes unfurling down the chest like a sigh; knee-high boots and polished oxfords grounded the looks in a gravity that felt almost existential. There were tailored shorts paired with long coats, a juxtaposition that spoke to a sensibility always halfway between places — between seasons, between moods, between eras.

There was romance too, not the glossy kind, but a deeper, almost literary form: an exploration of how garments can articulate vulnerability as clearly as they can command presence.

Soundtrack by Sebastian


IMAGE IN COURTESY BY SAINT LAURENT
TEXT BY AFRA REIJERS-HOLTJER

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